How many tickets Cinépolis sells. Screening by screening.
We counted every screening in 4 Cinépolis cinemas since 2. März 2025. Tickets sold come from the public booking system, the same one you use to pick a seat. The report refreshes every day.
- Tickets, last 12 months
- 1.154.423
- +97,3 % year on year
- Tickets, last 30 days
- 65.279
- -47,1 % year on year
- Occupancy
- 22,4 %
- Viewers per screening
- 37,2
We do the same with online shops
A cinema shows how many seats are taken. A shop shows how many units it has in stock. Skumio checks your competitors' stock levels several times a day and turns every drop into sales and revenue, product by product.
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Tickets sold, month by month
Each bar is the tickets sold for every screening in the month. You can see the pandemic, the audience coming back and the hits that carry a whole year.
Sales history
| Year | Tickets | Screenings | Per screening | Occupancy | Change y/y |
|---|---|---|---|---|---|
| 2026 to 25. Sept. | 880.392 | 23.223 | 37,9 | 22,8 % | +25,7 % |
| 2025 | 907.252 | 26.137 | 34,7 | 20,8 % | - |
The year in progress is compared with the same days a year earlier. Occupancy is computed only from screenings whose screen capacity was published.
How it is going
A period in progress is compared day for day with the same period a year earlier. A partial month set against a full one would always look like a fall.
See how much your competitors sell.
A booking system has to know how many seats are taken, so it shows it. Check it regularly, add it up, and you have the box office. Online shops do exactly the same with their stock levels, and Skumio turns them into your competitors' sales.
- Sales of every competitor product, day by day
- Revenue, bestsellers, new arrivals and price changes
- No integration and no access to anybody's systems
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What people buy tickets for
| # | Film | Tickets | Screenings | Per screening | Occupancy | Share |
|---|---|---|---|---|---|---|
| 1 |  premiere 29. Juli 2026 | 149.124 | 1.708 | 87,3 | 48,3 % | 12,9 % |
| 2 |  premiere 2. April 2026 | 123.030 | 2.271 | 54,2 | 33,3 % | 10,7 % |
| 3 |  premiere 18. Juni 2026 | 85.366 | 1.776 | 48,1 | 26,9 % | 7,4 % |
| 4 |  premiere 27. November 2025 | 72.554 | 1.993 | 36,4 | 21,7 % | 6,3 % |
| 5 |  premiere 4. September 2025 | 60.777 | 1.155 | 52,6 | 31,2 % | 5,3 % |
| 6 |  premiere 23. April 2026 | 60.490 | 1.102 | 54,9 | 31,3 % | 5,2 % |
| 7 |  premiere 11. September 2025 | 56.724 | 868 | 65,4 | 34,3 % | 4,9 % |
| 8 |  premiere 30. April 2026 | 55.362 | 947 | 58,5 | 32,2 % | 4,8 % |
| 9 |  premiere 18. Dezember 2025 | 43.905 | 1.141 | 38,5 | 20,0 % | 3,8 % |
| 10 |  premiere 16. Juli 2026 | 39.384 | 697 | 56,5 | 38,0 % | 3,4 % |
| 11 |  premiere 4. Juni 2026 | 35.266 | 589 | 59,9 | 31,4 % | 3,1 % |
| 12 |  premiere 2. Juli 2026 | 21.109 | 709 | 29,8 | 17,3 % | 1,8 % |
| 13 |  premiere 5. März 2026 | 16.861 | 799 | 21,1 | 11,8 % | 1,5 % |
| 14 |  premiere 28. Mai 2026 | 16.526 | 385 | 42,9 | 25,5 % | 1,4 % |
| 15 |  premiere 4. Dezember 2025 | 13.668 | 361 | 37,9 | 23,3 % | 1,2 % |
| 16 |  premiere 9. Juli 2026 | 13.244 | 478 | 27,7 | 15,5 % | 1,1 % |
| 17 |  premiere 11. Juni 2026 | 11.075 | 300 | 36,9 | 24,2 % | 1,0 % |
| 18 |  premiere 19. März 2026 | 10.291 | 378 | 27,2 | 14,8 % | 0,9 % |
| 19 |  premiere 16. April 2026 | 10.251 | 242 | 42,4 | 27,5 % | 0,9 % |
| 20 |  premiere 20. August 2026 | 10.040 | 201 | 50,0 | 30,4 % | 0,9 % |
| # | Film | Tickets | Screenings | Per screening | Occupancy | Share |
|---|---|---|---|---|---|---|
| 1 |  premiere 27. August 2026 | 23.158 | 721 | 32,1 | 16,3 % | 35,5 % |
| 2 | premiere 20. August 2026 | 7.559 | 230 | 32,9 | 20,1 % | 11,6 % |
| 3 | premiere 29. Juli 2026 | 7.519 | 273 | 27,5 | 18,0 % | 11,5 % |
| 4 |  premiere 17. September 2026 | 7.443 | 245 | 30,4 | 16,2 % | 11,4 % |
| 5 |  premiere 10. September 2026 | 2.725 | 132 | 20,6 | 11,6 % | 4,2 % |
| 6 | 2.638 | 52 | 50,7 | 31,5 % | 4,0 % | |
| 7 |  premiere 13. August 2026 | 1.931 | 119 | 16,2 | 11,6 % | 3,0 % |
| 8 | 1.503 | 22 | 68,3 | 22,8 % | 2,3 % | |
| 9 |  premiere 3. September 2026 | 1.179 | 72 | 16,4 | 12,3 % | 1,8 % |
| 10 |  premiere 10. September 2026 | 1.137 | 82 | 13,9 | 8,5 % | 1,7 % |
| # | Film | Tickets | Screenings | Per screening | Occupancy | Share |
|---|---|---|---|---|---|---|
| 1 | premiere 29. Juli 2026 | 153.658 | 1.896 | 81,0 | 45,7 % | 8,6 % |
| 2 | premiere 2. April 2026 | 123.030 | 2.271 | 54,2 | 33,3 % | 6,9 % |
| 3 |  premiere 22. Mai 2025 | 116.955 | 1.901 | 61,5 | 37,4 % | 6,5 % |
| 4 | premiere 18. Juni 2026 | 85.366 | 1.776 | 48,1 | 26,9 % | 4,8 % |
| 5 | premiere 27. November 2025 | 72.554 | 1.993 | 36,4 | 21,7 % | 4,1 % |
| 6 | premiere 4. September 2025 | 60.777 | 1.155 | 52,6 | 31,2 % | 3,4 % |
| 7 | premiere 23. April 2026 | 60.490 | 1.102 | 54,9 | 31,3 % | 3,4 % |
| 8 | premiere 11. September 2025 | 56.724 | 868 | 65,4 | 34,3 % | 3,2 % |
| 9 | premiere 30. April 2026 | 55.362 | 947 | 58,5 | 32,2 % | 3,1 % |
| 10 |  premiere 3. April 2025 | 54.532 | 1.550 | 35,2 | 19,7 % | 3,1 % |
| 11 |  premiere 3. Juli 2025 | 49.268 | 862 | 57,2 | 34,6 % | 2,8 % |
| 12 |  premiere 12. Juni 2025 | 46.489 | 1.036 | 44,9 | 24,3 % | 2,6 % |
| 13 |  premiere 24. Juli 2025 | 45.532 | 886 | 51,4 | 25,8 % | 2,5 % |
| 14 | premiere 18. Dezember 2025 | 43.905 | 1.141 | 38,5 | 20,0 % | 2,5 % |
| 15 | premiere 16. Juli 2026 | 39.473 | 700 | 56,4 | 38,0 % | 2,2 % |
Already sold for the next 14 days
Tickets bought for screenings that have not happened yet. The cinema knows this number before a film earns its first zloty at the box office, and we see it the same way.
- 011.10865,5 %
- 02
1589,3 % - 03
1448,5 % - 041358,0 %
- 05774,6 %
- 06
201,2 % - 07181,1 %
- 08100,6 %
- 09
100,6 % - 10
40,2 %
When people go to the cinema
Tickets by weekday and start time, last 12 full months. The darker the cell, the more tickets sold.
Share by weekday
- Mon7,1 %
- Tue6,4 %
- Wed16,4 %
- Thu12,6 %
- Fri14,4 %
- Sat22,7 %
- Sun20,3 %
Record days
- Mi., 1. April 202618.033 tickets
- So., 2. August 202614.479 tickets
- Do., 2. April 202614.355 tickets
- Sa., 1. August 202613.993 tickets
- So., 25. Mai 202513.379 tickets
How we watch
Picture format
- 2D91,5 %
- 3D5,0 %
- SJ3,5 %
Language version
- other80,6 %
- other17,3 %
- other1,6 %
- other0,5 %
Family films
- other100,0 %
The chain's cinemas, ranked
Last 12 full months. Tickets per seat show which cinema makes the most of what it has.
| # | Cinema | Screens | Tickets | Occupancy | Tickets per seat | Change y/y |
|---|---|---|---|---|---|---|
| 1 | Cinépolis Galerias Escalon San Salvador | - | 399.498 | 19,8 % | - | +99,0 % |
| 2 | Cinépolis Multiplaza Panamericana La Libertad | - | 381.231 | 20,3 % | - | +101,6 % |
| 3 | Cinépolis Metrocentro Santa Ana Santa Ana | - | 291.598 | 28,9 % | - | +104,4 % |
| 4 | Cinépolis Galerias Escalon VIP San Salvador | - | 82.096 | 35,6 % | - | +56,5 % |
How we count
Measured, not estimated
The ticket count is what the booking system itself publishes for every screening: a sold-seats counter or the taken seats on the room map. There is no model and no extrapolation.
One chain, not the whole market
These are 4 Cinépolis cinemas, not the whole national box office. The report shows how this one chain is doing.
Presales turn into results
Every screening is checked again for a week after it plays, so we record the final audience rather than the presale figure.
A cancelled screening does not count
A screening that disappears from the programme is marked cancelled and left out of the totals, so tickets sold for it do not inflate the result.
No data is not zero
A screening without a ticket count is treated as unknown, not empty. A month we have not downloaded in full is marked and left out of comparisons.
Occupancy only where the room is known
Where the booking system did not publish screen capacity (all of 2019 for this chain), occupancy is not computed. The ticket count is complete from 2. März 2025.
Source: the public booking API of the Cinépolis cinema chain. Analysis: Skumio. This report is not affiliated with Cinépolis or its owner. Generated 26. September 2026 um 01:06
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