How many tickets Cinépolis sells. Screening by screening.
We counted every screening in 4 Cinépolis cinemas since 2025年3月2日. Tickets sold come from the public booking system, the same one you use to pick a seat. The report refreshes every day.
- Tickets, last 12 months
- 1,154,423
- +97.3% year on year
- Tickets, last 30 days
- 65,279
- -47.1% year on year
- Occupancy
- 22.4%
- Viewers per screening
- 37.2
We do the same with online shops
A cinema shows how many seats are taken. A shop shows how many units it has in stock. Skumio checks your competitors' stock levels several times a day and turns every drop into sales and revenue, product by product.
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Tickets sold, month by month
Each bar is the tickets sold for every screening in the month. You can see the pandemic, the audience coming back and the hits that carry a whole year.
Sales history
| Year | Tickets | Screenings | Per screening | Occupancy | Change y/y |
|---|---|---|---|---|---|
| 2026 to 9月25日 | 880,392 | 23,223 | 37.9 | 22.8% | +25.7% |
| 2025 | 907,252 | 26,137 | 34.7 | 20.8% | - |
The year in progress is compared with the same days a year earlier. Occupancy is computed only from screenings whose screen capacity was published.
How it is going
A period in progress is compared day for day with the same period a year earlier. A partial month set against a full one would always look like a fall.
See how much your competitors sell.
A booking system has to know how many seats are taken, so it shows it. Check it regularly, add it up, and you have the box office. Online shops do exactly the same with their stock levels, and Skumio turns them into your competitors' sales.
- Sales of every competitor product, day by day
- Revenue, bestsellers, new arrivals and price changes
- No integration and no access to anybody's systems
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What people buy tickets for
| # | Film | Tickets | Screenings | Per screening | Occupancy | Share |
|---|---|---|---|---|---|---|
| 1 |  premiere 2026年7月29日 | 149,124 | 1,708 | 87.3 | 48.3% | 12.9% |
| 2 |  premiere 2026年4月2日 | 123,030 | 2,271 | 54.2 | 33.3% | 10.7% |
| 3 |  premiere 2026年6月18日 | 85,366 | 1,776 | 48.1 | 26.9% | 7.4% |
| 4 |  premiere 2025年11月27日 | 72,554 | 1,993 | 36.4 | 21.7% | 6.3% |
| 5 |  premiere 2025年9月4日 | 60,777 | 1,155 | 52.6 | 31.2% | 5.3% |
| 6 |  premiere 2026年4月23日 | 60,490 | 1,102 | 54.9 | 31.3% | 5.2% |
| 7 |  premiere 2025年9月11日 | 56,724 | 868 | 65.4 | 34.3% | 4.9% |
| 8 |  premiere 2026年4月30日 | 55,362 | 947 | 58.5 | 32.2% | 4.8% |
| 9 |  premiere 2025年12月18日 | 43,905 | 1,141 | 38.5 | 20.0% | 3.8% |
| 10 |  premiere 2026年7月16日 | 39,384 | 697 | 56.5 | 38.0% | 3.4% |
| 11 |  premiere 2026年6月4日 | 35,266 | 589 | 59.9 | 31.4% | 3.1% |
| 12 |  premiere 2026年7月2日 | 21,109 | 709 | 29.8 | 17.3% | 1.8% |
| 13 |  premiere 2026年3月5日 | 16,861 | 799 | 21.1 | 11.8% | 1.5% |
| 14 |  premiere 2026年5月28日 | 16,526 | 385 | 42.9 | 25.5% | 1.4% |
| 15 |  premiere 2025年12月4日 | 13,668 | 361 | 37.9 | 23.3% | 1.2% |
| 16 |  premiere 2026年7月9日 | 13,244 | 478 | 27.7 | 15.5% | 1.1% |
| 17 |  premiere 2026年6月11日 | 11,075 | 300 | 36.9 | 24.2% | 1.0% |
| 18 |  premiere 2026年3月19日 | 10,291 | 378 | 27.2 | 14.8% | 0.9% |
| 19 |  premiere 2026年4月16日 | 10,251 | 242 | 42.4 | 27.5% | 0.9% |
| 20 |  premiere 2026年8月20日 | 10,040 | 201 | 50.0 | 30.4% | 0.9% |
| # | Film | Tickets | Screenings | Per screening | Occupancy | Share |
|---|---|---|---|---|---|---|
| 1 |  premiere 2026年8月27日 | 23,158 | 721 | 32.1 | 16.3% | 35.5% |
| 2 | premiere 2026年8月20日 | 7,559 | 230 | 32.9 | 20.1% | 11.6% |
| 3 | premiere 2026年7月29日 | 7,519 | 273 | 27.5 | 18.0% | 11.5% |
| 4 |  premiere 2026年9月17日 | 7,443 | 245 | 30.4 | 16.2% | 11.4% |
| 5 |  premiere 2026年9月10日 | 2,725 | 132 | 20.6 | 11.6% | 4.2% |
| 6 | 2,638 | 52 | 50.7 | 31.5% | 4.0% | |
| 7 |  premiere 2026年8月13日 | 1,931 | 119 | 16.2 | 11.6% | 3.0% |
| 8 | 1,503 | 22 | 68.3 | 22.8% | 2.3% | |
| 9 |  premiere 2026年9月3日 | 1,179 | 72 | 16.4 | 12.3% | 1.8% |
| 10 |  premiere 2026年9月10日 | 1,137 | 82 | 13.9 | 8.5% | 1.7% |
| # | Film | Tickets | Screenings | Per screening | Occupancy | Share |
|---|---|---|---|---|---|---|
| 1 | premiere 2026年7月29日 | 153,658 | 1,896 | 81.0 | 45.7% | 8.6% |
| 2 | premiere 2026年4月2日 | 123,030 | 2,271 | 54.2 | 33.3% | 6.9% |
| 3 |  premiere 2025年5月22日 | 116,955 | 1,901 | 61.5 | 37.4% | 6.5% |
| 4 | premiere 2026年6月18日 | 85,366 | 1,776 | 48.1 | 26.9% | 4.8% |
| 5 | premiere 2025年11月27日 | 72,554 | 1,993 | 36.4 | 21.7% | 4.1% |
| 6 | premiere 2025年9月4日 | 60,777 | 1,155 | 52.6 | 31.2% | 3.4% |
| 7 | premiere 2026年4月23日 | 60,490 | 1,102 | 54.9 | 31.3% | 3.4% |
| 8 | premiere 2025年9月11日 | 56,724 | 868 | 65.4 | 34.3% | 3.2% |
| 9 | premiere 2026年4月30日 | 55,362 | 947 | 58.5 | 32.2% | 3.1% |
| 10 |  premiere 2025年4月3日 | 54,532 | 1,550 | 35.2 | 19.7% | 3.1% |
| 11 |  premiere 2025年7月3日 | 49,268 | 862 | 57.2 | 34.6% | 2.8% |
| 12 |  premiere 2025年6月12日 | 46,489 | 1,036 | 44.9 | 24.3% | 2.6% |
| 13 |  premiere 2025年7月24日 | 45,532 | 886 | 51.4 | 25.8% | 2.5% |
| 14 | premiere 2025年12月18日 | 43,905 | 1,141 | 38.5 | 20.0% | 2.5% |
| 15 | premiere 2026年7月16日 | 39,473 | 700 | 56.4 | 38.0% | 2.2% |
Already sold for the next 14 days
Tickets bought for screenings that have not happened yet. The cinema knows this number before a film earns its first zloty at the box office, and we see it the same way.
- 011,10865.5%
- 02
1589.3% - 03
1448.5% - 041358.0%
- 05774.6%
- 06
201.2% - 07181.1%
- 08100.6%
- 09
100.6% - 10
40.2%
When people go to the cinema
Tickets by weekday and start time, last 12 full months. The darker the cell, the more tickets sold.
Share by weekday
- Mon7.1%
- Tue6.4%
- Wed16.4%
- Thu12.6%
- Fri14.4%
- Sat22.7%
- Sun20.3%
Record days
- 2026年4月1日周三18,033 tickets
- 2026年8月2日周日14,479 tickets
- 2026年4月2日周四14,355 tickets
- 2026年8月1日周六13,993 tickets
- 2025年5月25日周日13,379 tickets
How we watch
Picture format
- 2D91.5%
- 3D5.0%
- SJ3.5%
Language version
- other80.6%
- other17.3%
- other1.6%
- other0.5%
Family films
- other100.0%
The chain's cinemas, ranked
Last 12 full months. Tickets per seat show which cinema makes the most of what it has.
| # | Cinema | Screens | Tickets | Occupancy | Tickets per seat | Change y/y |
|---|---|---|---|---|---|---|
| 1 | Cinépolis Galerias Escalon San Salvador | - | 399,498 | 19.8% | - | +99.0% |
| 2 | Cinépolis Multiplaza Panamericana La Libertad | - | 381,231 | 20.3% | - | +101.6% |
| 3 | Cinépolis Metrocentro Santa Ana Santa Ana | - | 291,598 | 28.9% | - | +104.4% |
| 4 | Cinépolis Galerias Escalon VIP San Salvador | - | 82,096 | 35.6% | - | +56.5% |
How we count
Measured, not estimated
The ticket count is what the booking system itself publishes for every screening: a sold-seats counter or the taken seats on the room map. There is no model and no extrapolation.
One chain, not the whole market
These are 4 Cinépolis cinemas, not the whole national box office. The report shows how this one chain is doing.
Presales turn into results
Every screening is checked again for a week after it plays, so we record the final audience rather than the presale figure.
A cancelled screening does not count
A screening that disappears from the programme is marked cancelled and left out of the totals, so tickets sold for it do not inflate the result.
No data is not zero
A screening without a ticket count is treated as unknown, not empty. A month we have not downloaded in full is marked and left out of comparisons.
Occupancy only where the room is known
Where the booking system did not publish screen capacity (all of 2019 for this chain), occupancy is not computed. The ticket count is complete from 2025年3月2日.
Source: the public booking API of the Cinépolis cinema chain. Analysis: Skumio. This report is not affiliated with Cinépolis or its owner. Generated 2026年9月26日 01:06
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